Using only out-of-date film, Neil Atherton’s “Expired” series captures the blank reality of everyday, ordinary places and objects that are often overlooked, forgotten about or abandoned over time.

Caught somewhere between still-life and street photography, these urban scenes are the unseen backdrops to the drama of everyday life, without the drama.

Documenting places and situations that belong to another era or are somehow stuck in time, the subject and its aesthetic representation are both "expired."

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